MICHEL CAMPEAU. THE DONKEY THAT BECAME A ZEBRA: DARKROOM STORIES

The focus is on Campeau's often tongue-in-cheek principle: he constructs his biography with his own images as well as others'. On view are prints photographed, collected and reproduced by Campeau, including insights into darkrooms and photographs of photographic accessories. The exhibition, curated by Celina Lunsford, presents the transformation from analogue to multimedia photography – and Michel Campeau's fascination for the time before digital intoxication. 

Michel Campeau (*1948, Montreal) has been internationally active for more than 40 years. His documentary project “Disraeli: une expérience humaine en photographie” (1973) was the prelude to his unique practice of exploring the subjective, narrative and ontological aspects of the medium of photography. With the beginning of digital photography, he photographed the dwindling classical photo labs. At the same time, he began to collect amateur photography from Canada and elsewhere and to shape his own creative path with third party photography. His goal was to get closer to the motifs behind the photographic work of others – and thus to his own desire to tell the world in pictures. 

Michel Campeau is regarded as one of the most important photographers of his generation because of his versatile work. His works have been exhibited many times, including the National Gallery of Canada, Ottawa (2014) and Centre Pompidou, Paris (2015), and can be found in many collections, including the Musée Nicéphore Niépce, Chalon-sur-Saône and the Folkwang Museum, Essen.

The book “The Donkey that Became a Zebra: Darkroom Stories” will be published by MCÉ publishing house, with texts by Joan Fontcuberta and Michel Campeau, among others. The book is also available in the Fotografie Forum Frankfurt.