Laufzeit: 09.05. – 30.08.2026
Eröffnung: Freitag, 08.05.2026, 19 Uhr
RAHMENPROGRAMM (AUSWAHL)
SA, 19.09.2026, 15 Uhr
GALERIEGESPRÄCH mit TONY RIZZI und CELINA LUNSFORD, ANDREA HORVAY
SA/SO, 31.10../01.11.2026, 10–14 Uhr WORKSHOP »STAGING MOVEMENT, STAGING EXPRESSION: GESTURES, BODY LANGUAGE, MOVING IN FRONT OF THE CAMERA«
mit TONY RIZZI
DI, 29.09.2026, 15 Uhr
KURATORINNENFÜHRUNG mit CELINA LUNSFORD
Mittwochs, 17 Uhr
ÖFFENTLICHE FÜHRUNGEN
“Now I begin my life in Frankfurt. I really like it here and feel like I should be here. I feel like there’s a protective presence by my side at all times…strange. WORK HARD, DON’T LIE, AND TRY NOT TO HURT ANYONE.”
Excerpt from Tony Rizzi’s diary (September 7th, 1985)
This quote frames the most comprehensive exhibition to date of the renowned American dancer, choreographer, and photographer Tony Rizzi, who has lived and worked in Frankfurt for 40 years.

Since the mid 1980s, American dancer, choreographer and photographer Tony Rizzi has documented people, encounters and performances. Through Polaroids, black-and-white photographs of Forsythe Ballet Frankfurt, photo-collages, videos, and installations the exhibition highlights Rizzi’s visual practice. Focusing on queer culture and communities beyond mainstream, the works capture fleeting moments of beauty, desire, and belonging while exploring themes of identity, body politics, sexuality, and relationships.
Bringing together a full range of photographic work for the first time, this exhibition offers an immersive experience into Rizzi’s universe.
Curated by Prof. Celina Lunsford, artistic director of the FFF, the exhibition brings together a full range of photographic work for the first time, and offers an immersive experience into Rizzi’s universe.
A new book under the same exhibition title will be available for purchase.
Tony Rizzi, born in 1965 in Dedham, near Boston, trained at the Boston Ballet School under, among others, the legendary dancers Violette Verdy and Bruce Wells, both from the New York City Ballet. In 1985, he moved to Frankfurt, where he was a dancer and close collaborator with William Forsythe at Ballet Frankfurt for over 20 years, performing many of leading roles.
At the same time, he developed his own choreographic work: in 1995, he created “Firstext” for the Royal Ballet in London together with Forsythe and Dana Caspersen; further choreographies were created for the Bavarian State Ballet and the Gärtnerplatz Tanztheater in Munich, among others. From 1999 to 2023, he performed as a principal dancer in numerous productions by Troubleyn / Jan Fabre, including the 24-hour performance “Mount Olympus.” In 2012, he played the young Marina Abramović in Robert Wilson’s “The Life and Death of Marina Abramović” on an international tour.
With his own company, ‘Tony Rizzi and the Bad Habits,’ he has been developing his own dance productions since 2000, which regularly premiere at the Mousonturm in Frankfurt and the Gallus Theater. International tours have taken him to Montreal, Vienna, Tokyo, New York, and Oslo, among other places.
Since the late 1980s, Rizzi has been active as a photographic artist. His works have been exhibited at venues including the Frankfurter Kunstverein, Oper Frankfurt, Künstlerhaus Mousonturm, the Kunstverein Hamburg, Platform Sarai in Frankfurt am Main, MUMOK in Vienna and the Mori Art Museum in Tokyo, and are held in international collections.